Elia Kazan

 

Marlon BrandoLois Smith + James DeanMarlon Brando

Biography

Elia Kazan

Elia Kazan
Every fighter has one fight that makes or breaks him

Remarkable:

Elia was Francis Ford Coppola’s first choice for the role of Hyman Roth in The Godfather: Part II (1974)

Born:

September 7, 1909

Born as:

Elia Kazanjoglous

Died:

September 28, 2003

He was born in Constantinople (now Istanbul) in Turkey. At age four, his Greek parents emigrated to New York City, the United States. After graduating college, Elia attended the Drama School at Yale University, and from 1932 to 1939 he was an actor with the Group Theatre in New York City, led by Lee Strasberg and Harold Clurman .

Kazan directed his first stage play in 1935 and in the 1940s he gained fame as one of Broadway's finest talents, especially for his realistic direction of A Streetcar Named Desire (1947), Death of a Salesman (1948) and Cat on a Hot Tin Roof (1955).

In 1944 Elia began to direct motion pictures. His films, many of which incorporate liberal or socially critical themes, include A Tree Grows in Brooklyn (1945) and Gentleman's Agreement (1947). The same year, he co-founded the famed Actor's Studio with Lee Strasberg; the school would serve as a training ground for legions of famous actors, including Marlon Brando, Robert de Niro and Dustin Hoffman .

His classic films A Streetcar Named Desire (1951), Viva Zapata! (1952), and On the Waterfront (1954) all starred Marlon Brando. Other famous films include East of Eden (1955), starring James Dean ; Baby Doll (1956); and Splendour in the Grass (1960).

In 1952, the director was called before the House Committee on Un-American Activities (HUAC) regarding his involvement with the Communist Party. Kazan refused to name names, but after being told by 20th Century Fox President Spyros P. Skouras that he would never work in Hollywood again, Elia supplied HUAC with several names, including those of writer Clifford Odets and Paula and Lee Strasberg.

Kazan's last hit movie was Splendor in the Grass (1961), with Warren Beatty (in his film debut) and Natalie Wood.

In later years he turned to writing fiction. He published his autobiography, My Life, in 1988 (in it he defended his decision to comply with HUAC) , and Beyond the Aegean appeared in 1994.

Afflicted with deafness and arteriosclerosis, he received his controversial lifetime-achievement Oscar in 1999. Four years later he died, having just turned 94.

Selected movies :

Academy awards :

 

Karl Malden + Marlon Brando + Eva Marie Saint

Trivia

Elia was Francis Ford Coppola’s first choice for the role of Hyman Roth in The Godfather: Part II (1974)

While filming Viva Zapata! (1952) Kazan told Marlon Brando that Anthony Quinn was bragging to everybody about how much better he had been in A streetcar named Desire (1951). Kazan told Quinn the same. He wanted for the picture a killing rage between the actors. The two actors didn’t speak for fifteen years. Only when Quinn told this story in a TV show, Brando understood what happened and phoned Quinn to explain the situation. Source / More (Book)

In 1952 Kazan testified twice in executive session before the House Un-American Activities Committee and freely named names. He explained his reasons in an open letter advertisement in The New York Times. Source / More (Book)

When Elia received a lifetime achievement Oscar in 1999, the Hollywood audience was split into two camps: those who valued the man and his artistic contributions (Warren Beatty) and those who reviled his salacious past (Nick Nolte, Ed Harris). Source / More (Book)

Kazan: “Anybody who informs on other people is doing something disturbing and even disgusting. It doesn't sit well on anybody's conscience. But at that time I felt a certain way, and I think it has to be judged from the perspective of 1952.” Source / More (Book)

Director Francis Ford Coppola: “There’s no question in my mind that Elia Kazan holds a unique ans unparalleled place in American films, and as an actor, director, and writer he is one of the greats.” Source / More (Book)

Kazan used the film on the waterfront to justify being an informer before HUAC, with his protagonist, Terry Malloy acting as a heroic stand-in for himself. “Terry Malloy felt as I did. He felt ashamed and proud of himself at the same time, he felt it was a necessary act”. Source / More (Book)

Bibliography